Monday, February 16, 2009

The day the music died

Thanks Don McLean for the lyric, but your over-played anthem is not one of my favorites, despite it coming from an era of music that will never be matched again.

When exactly was the day the music died? If I had to pick a day, while not specifically a day, it would be sometime in the 1990s. Seems like once grunge hit the scene, a lot of music started to sound the same. Since the 90s, music has gone on a huge downward spiral. And there is no hope in sight.

So with no good, new music to listen to, I've turned to a band that I already know. With the availability of free downloads (torrents and other file sharing programs) it is easy to get the entire discography of a band. So you can sit back, and in a few hours have the entire Deep Purple discography.

I can hear the questions now, though. "Why would you WANT the Deep Purple discography?" Well, I like Deep Purple. I like the songs I have hard by them and figure that at the very least the rest of their music can't be that bad. The good thing about downloading music is that if you don't like it, you can delete it. Not quite the same if you plunked down $20 on a CD. But this is not really about CDs vs. downloads. That's an argument for another time.

I mention Deep Purple because most of their music has a distinct sound, and because it was Deep Purple I was listening to when I started to think about some of the crap that is being played today.

Thanks to Ian Gillan's awesome voice, it's not that hard to pick out a Deep Purple song (unless it's not Ian Gillan, but instead it's David Coverdale, Joe Lynn Turner or Rod Evans)the average person might not recognize Deep Purple from Shallow Pink.

But that works both ways. If I was to turn on the radio or Much Music right now, I'd say there is well over a 50% chance that I would not recognize the artist. I'll check that by saying that MM might give me a bit of an advantage as obviously I can see who is singing/playing. But that's not much of an advantage.

My dislike for the direction that the music business is not limited to new/newer artists. Oh no. It applies to most, if not all of the older bands that I like. One of the best examples of that is Aerosmith. While not one of the first bands I started listening to,(that would be KISS, Ozzy Osbourne, Iron Maiden, among others; Bob will remember those days), I did eventually become a huge Aerosmith fan.

I love the 70s Aerosmith output. Hardly a bad song. Even the overplayed songs like "Sweet Emotion", "Walk This Way", and "Dream On". But its the less popular album tracks, like "Bone to Bone (Coney Island Whitefish Boy)", "Three Mile Smile", and "Get the Lead Out" that I prefer. Awesome guitar. Steve Tyler's insane opening ramblings. One of the most solid, but not overly spectacular rhythm sections out there.

Then the 80s and 90s came.

Somewhere, somehow, Aerosmith's guitar-driven rock changed. It changed drastically. And it most certainly changed for the worst.

"Cryin'". "Angel". "Don't Want to Miss a Thing".

Are you serious?

That's only a few of the disasters they've recorded since 1987. The answer as to why their sound changed so much is simple enough.

No more drugs.

As we all know, drugs have taken many young performers, athletes, and everyday people way before their time. The same thing was going to happen to Steven Tyler and Jo Perry if they kept it up. But they didn't. They cleaned up their act. The sad thing is, they lost their sound. Suddenly they were cranking out power ballads that any crappy group was capable of matching.

The day the music died.

When I was talking initially with my boss at Water Werks, she said, "there are no new ideas." I had been asking her about the danger of ripping off another company's ad. As an aspiring writer, that was a little disheartening. On one hand it makes it sound like no matter how good someone is, your ideas are going to sound old and tired. But I know what she means.

She was referring to influences. And as an artist, more specifically, an author, I have my own influences. They range from other authors, to songwriters, to comedians, to my friends and family. It's like a professor of mine once said, "you write what you know".

So how does all this rambling, referencing, and ranting tie in with 'the day the music died'?

When you think about it, it's been 35 years since Aerosmith released their first album. In that time, thousands of groups have come and gone, many I'm sure influenced in one way or another by Aerosmith. (Guns 'N Roses are one notable band that claim Aerosmith as an influence). So, if Aerosmith were one of the reasons you got into the music business, it probably wouldn't be a stretch if your music sounded a bit like Aerosmith would it?

And that's sort of the point of all this, and really is why I find newer music to be bland and boring. It all sounds the same. Maybe if I put in a bit more effort I would be able to tell who is who. But I just don't care enough to try and figure it all out.

I'm content to fire all my songs into a Winamp playlist and take a nap. I've discovered some great songs that way.

Most people would furrow their brows and the sound (and sight) of the songs I listen to. Not only the artists. But the names, lengths and dates of the music I listen to. We've already been through Mr. Zappa's creative song titles. But who else wants to hear a 14 minute version of "Yours Is No Disgrace" by Yes? Bob maybe.

All in all, today's music scene, while probably full of decent artists, holds little interest for me.

If I really want to listen to a band that sounds like Led Zeppelin, I'll just go and listen to the real thing.

3 comments:

  1. Do you think this has something to do with getting older? Remember Marie used to always insist we'd like Elvis and Neil Diamond when we were older? Truth is, I do like some Neil Diamond songs, but what she really meant is that, at some point, your musical and other tastes just "crystallize" and it gets harder to change, or you have other priorities.

    One thing I do agree with, though, is that the music we grew up with SHOULD have been crystallized. Aerosmith is a perfect example. Morrissey is another...he once wrote a song called "Get Off the Stage" about the Rolling Stones, and now that he's reached 50 or so, he could sing it about himself.

    I can't think of many bands who can keep going and inventing new things, and always sounding fresh. Jethro Tull comes to mind. They're still recording and touring, and because their "repertoire" was always so wide, they never really seem out of fashion. Maybe that's the problem with Aerosmith...as much as I like them, their music is not what you'd call "diverse". Just look at the '80's pop-metal bands, some of whom are still going...who listens to them anymore?

    All of this is not only true for music...the same goes for TV, movies, books, etc. Some things should only be done once, like a great work of art, and never repeated.

    Speaking of Yes (and I'm still a huge fan, up to the point of "90125", perhaps), I read recently that they were touring, without Jon Anderson, and had recruited a singer they saw on the internet who was fronting a Yes tribute band. If this isn't a disgrace, I don't know what is.

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  2. Further thoughts on the death of good music...

    One of the reasons we like certain bands is because of the individual members, or mix of members, that they have. Over the years, constant lineup changes just literally castrate some bands, until there's nothing left but a name, and that takes away all the meaning.

    For example, my favorite period of Deep Purple is the "Mk.II" lineup (Gillan, Glover, Lord, Paice, Blackmore). The other lineups just don't cut it for me. And what about the various replacements for Ozzy in Black Sabbath? It's just not the same. Look at The Who...literally only half a group now (although arguably Pete Townsend is the most important member).

    This is the main reason why some of the later Yes "attempts" piss me off, because it seems that the people who used to be primarily responsible for the sound that I love, namely Anderson, Bruford, Howe, Squire, and Wakeman, are not responsible anymore. To me, that's not Yes...why don't they choose another name?

    On the other hand, how can we justify Aerosmith, who still have all the same members?

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  3. This is all known as the "Get off my lawn" syndrome. We've all heard someone older than us claim that today's music is just 'noise' or doesn't have the musicianship of years gone by. I agree that most popular music today is really just based on some formula that some guy at a record company came up with. There are a lot of songs that have no melody, no hook, no nothing. It's as if people don't even have to try anymore. A couple of examples? P-Diddy-Puff-Daddy's song where he rapped over Kashmir (shame on you, Jimmy Page), or the complete and total abomination that was that recent Kid Rock song, where he sang over "Sweet Home Alabama" and "Werewolves in London."
    Now, I was into electronic music back in the 90s, and we all know that electronica is heavily into sampling. But, there's a marked difference between sampling, and just playing someone else's song from start to finish and singing or rapping different words over it.

    They aren't even trying any more!!

    I have also found myself delving back into the past for something to listen to, and as a result, have a new appreciation for Pink Floyd, Neil Young, The Cure, and other acts I poo-pooed in my youth. And yes, even Neil Diamond to a certain extent.

    The thing about it is, 'classic rock' or 'classic pop' is the same to us and our parents. I don't look at Culture Club or Duran Duran and call them 'classic', whereas The Beatles, Elvis, Simon and Garfunkel..they are classics to Mom and Dad, and classics to us. It will be the same for many generations to come, as far as I'm concerned.

    I have a great friend who is always up on the latest indie music, and he burns me cds from time to time. There are a lot of new, cool bands out there, doing some very unique things. They're harder to find, because every bloody station is playing Nickelback. Dont get me started on them! But, there are good ones out there. For every Britney or Ashley Simpson out there, there's Camera Obscura or Arcade Fire or The Good Lovelies or Get Cape Wear Cape Fly. We just have to keep looking for them.

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